Synopsis from the back cover:
Almost seventy years ago, in a nation devastated by World War II, Tei Fujiwara wrote her memoir 流れる星は生きている (Nagareru Hoshiwa Ikiteiru) about her harrowing journey home with her three young children. But the story of her story is what every reader needs to know.
Tei’s memoir begins in August 1945 in Manchuria. At that time, Tei and her family fled from the invading Soviets who declared war on Japan a few days after the United States dropped the atomic bomb on Hiroshima. After reaching her home in Japan, Tei wrote what she thought would be a last testament to her young children, who wouldn’t remember their journey and who might be comforted by their mother’s words as they faced an unknown future in post-war Japan.
But several miracles took place after she wrote the memoir. Tei survived and her memoir, originally published in Showa Era 24  became a best seller in a country still in ruins. Over the following decades, millions of Japanese became familiar with her story through forty-six print runs, the movie version, and a television drama. To understand the war experience, Empress Michiko urged young Japanese to read Tei’s story.
Now English readers will have the chance to read her amazing story of survival and hope, and understand how she influenced an entire generation and a nation
Tei Fujiwwara was born in Japan in 1918 and moved with her family to Manchuria, China in 1943. As of the printing of this English translation, she is 96 years old and living in a senior home in Tokyo, Japan.
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Synopsis from back book cover:
A humorous and moving coming-of-age story that brings a unique, not-quite-outsider’s perspective to China’s shift from ancient empire to modern superpower
Raised in a strict Chinese-American household in the suburbs, Val Wang dutifully got good grades, took piano lessons, and performed in a Chinese dance troupe—until she shaved her head and became a leftist, the stuff of many teenage rebellions. But Val’s true mutiny was when she moved to China, the land her parents had fled before the Communist takeover in 1949.
Val arrives in Beijing in 1998 expecting to find freedom but instead lives in the old city with her traditional relatives, who wake her at dawn with the sound of a state-run television program playing next to her cot, make a running joke of how much she eats, and monitor her every move. But outside, she soon discovers a city rebelling against its roots just as she is, struggling too to find a new, modern identity. Rickshaws make way for taxicabs, skyscrapers replace hutong courtyard houses, and Beijing prepares to make its debut on the world stage with the 2008 Olympics. And in the gritty outskirts of the city where she moves, a thriving avant-garde subculture is making art out of the chaos. Val plunges into the city’s dizzying culture and nightlife and begins shooting a documentary, about a Peking Opera family who is witnessing the death of their traditional art.
Brilliantly observed and winningly told, Beijing Bastard is a compelling story of a young woman finding her place in the world and of China, as its ancient past gives way to a dazzling but uncertain future.
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